Archive for October 9th, 2007

09
Oct

A Time of Transition

BY SUSAN ROSENTHAL July 07, 2007

Times of transition are very difficult.

In good times, people are more open to new ideas and more willing to organize. The fight for civil rights of the 1950s fed the anti-war movement of the 1960s. Both fueled movements for workers’ rights and for women’s, gay and Black liberation. As millions of people moved into struggle, there was widespread belief that we could change the world. Continue reading ‘A Time of Transition’

09
Oct

Alienation and Dissociation: The Two Sides of Powerlessness

BY SUSAN ROSENTHAL Dateline: July 21, 2007

Alienation and dissociation reinforce each other to create a cycle of social powerlessness. In The Hidden Injuries of Class, a worker ponders this dilemma.

“The more a person is on the receiving end of orders, the more the person’s got to think he or she is really somewhere else in order to keep up self-respect. And yet it’s at work that you’re supposed to ‘make something’ of yourself, so if you’re not really there, how are you going to make something of yourself?” Continue reading ‘Alienation and Dissociation: The Two Sides of Powerlessness’

09
Oct

From Imus to Industry: The Business of Stereotypes and Degrading Images

BY LISA FAGER
Dateline: Wednesday, 03 October 2007

There can be no doubt that much Hip Hop product is pathological. But whose product is it? Industry activist Lisa Fager went to Capitol Hill to school lawmakers on the real purveyors of audio and video mayhem: the music and communications corporations that control the destructive content that saturates the market. Pathology is not limited to musical product; it oozes into the public discourse in the form of racist speech and images that defame the powerless - all for the sake of corporate profit margins. Under relentless media consolidation, music playlists have become uniform indicators of massive payola - “an organized corporate crime.”

Continue reading ‘From Imus to Industry: The Business of Stereotypes and Degrading Images’




 

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