Escape from What?

queen2phone.jpgGuy…this is an old post…..a response to your piece on SNL. I figured I would go ahead and post it. I had written it just as the big CJ crash happened. Anyway, I want to respond soon to your more recent post…but for we go back in time…..
Well, I was glad you brought up SNL and comedy in general. Ive always felt a deep unease with SNL and with almost all of today’s comedy. The laughter it illicites is nervous and on the edge of hysteria. Its a laughter that must keep projecting itself foward, regardless if anything is funny or not. I hear this sound on the streets, too, of course. Especially with young men. An hysterical and strident noise…..overly loud and anxious. Nothing to do with *funny*. If you go back to a Jack Benny, or a George Burns, or certainly to Keaton or Chaplin, you find something very different. Benny was saying, hey, I’m more fucked up than you, and can you help? Seinfeld is saying I’m much hipper than you, but I might let you in on the joke. Humility is gone. Shared suffering is gone. Also, Seinfeld was proud of saying his show was about nothing. Well, at least he got one thing right.
There is less and less compassion. Someone like Adam Sandler, another version of what you describe with Stiller, is just a void. With SNL you had the veneer of liberal hipness. The point isn’t, finally, that some of it was *funny* or not….it was the frame. The way the show operated. The sense of false inclusion. (you can see this in the shift from Carson to Letterman). That inclusion was part of the make-shift quality of the skits. There was little in the way of real ambition. There was also this tendency to let the audience in on the joke ahead of time….let them see backstage…and remove all mystery. Network TV is so mediated, and this should be obvious, as to be beyond discussion. Nothing of real opposition is going to appear on network TV. Not anymore anyway. Maybe an Ernie Kovacs at one point suggested something of real surreality, at least….but those were the very early days. If you watch an old episode of The Burns and Allen Show you see what would appear as radical experimental TV, today. People forget what those shows were like. Compared to SNL they actually pushed the form a bit.
A big topic is what is *funny*? Humor almost always links to cruelty. Something worth coming back to.
Alright, the real point is that the “counter culture” couldn’t be put on TV. The revolution will not be televised. And entertainment, even if it was Burns and Allen, was still entertainment. Why did SNL become so fetishized? Probably because the allure of “opposition” on TV was too seductive (another example was Al Franken’s recent show….which was not even remotely radical, not even remotely critical of the system). But the seductive power of this fantasy is quite strong. The funny thing is that I know people — er, liberals — who will laugh endlessly at Jon Stewart, and yet criticize a Chavez for his irony at the UN. Interesting.
No real left figures appear on TV and few real artists. Censorship by ommision. You must be domesticated and neutered to appear. SNL was pure illusion, and it also, as I’ve suggested, represented something essential about modern laughter. I wonder if the sound of laughter — even fifty or sixty years ago — wasn’t different. It’s an interesting question.
I was thinking of Frears current film The Queen, in light of some of your comments about the rich. Here is a film about a political figure that aggressively avoids any political content. It’s more soft critique, and Mirren is there to *humanize* the Queen. Well, first, she — the Queen — ISN’T human. Her and the now dead Queen Mum were and are bigoted racist Imperialist fascistic swamp-breathers. Both sent birthday cards each year to Pinochet and loved ol’ Ian Smith, late of Rhodesia. They loved every rightwing dictator in the world. Horrid horrid non-humans. Beyond that, though, is the question of why this film so appeals to today’s audience? The entire issue of Princess Di is treated as sort of normal, instead of the mass insanity that it was. What is the allure?
And finally, the question of the elliptical. I think there is still a lot to talk about regards this. Another writer in a different sense, who fits the bill as elliptical, is Patricia Highsmith.
A final quick note on anger. Non violence is an ideal….Gandhi, and all that….but if Gandhi laid down in front of Dick Cheney’s motorcade, he would be roadkill. Marcuse on repressive tolerance, again…..(note to self: re read soon). I don’t feel any *personal* anger…except at a select few, but I do feel a deep sort of cosmic anger at the endless slaughter and destruction. It’s useful to remember how many people are victims. They are maybe doing bad and stupid things….but it’s born of their own victimhood…..which is not to latch on to the “victims’ rights” soul train to nowhere. The intervention latte drinkers who fucking won’t stop finding new vicitims to talk about. The send-in-troops-to-Darfur refrain. This is a culture that loves its victims, and yet simultaneously refuses to look deeply at what causes all the suffering in the world. The wars in Africa make numbers utterly mindnumbing. What is the difference between eight million and ten? The sheer scale of the global nightmare is what gives one the 2 a.m. night sweats. It’s overwhelming. So, I can hear people, already, saying, well, SNL (or fill in the latest Adam Sandler film) is just escape. What’ wrong with escape? And my response is, escape from what???
Ok, well, I am drifting a bit far afield here….so let me wrap up for now.
—JS

About this entry


  1. camerounia17 03.02.07 / 2am

    Escapism has ALWAYS been a strong component of the American psyche. The Europeans who came over here were escaping; they did not stay behind to confront and change the existing order. Or maybe they were just smart, or lucky. In the 19th century, again, when things got too tight on the East, well, there was the West…so escape has been “inculcated” almost by the historical topography of this nation.

    I’m not saying the writer is wrong. John Steppling is actually not just right about what he says, he’s absooolutely right. So let me just say a few things to add my dime’s worth, or nickel’s worth or whatever to what is already eloquent enuff. Here goes:

    (1) I always smelled phoneyness with the SNL due to its pronounced apoliticalism or jejune politics when it dared to show its face; the kind of I-can-say-what-I-like and get-away-with-it-because-I-m-a-kid kind of thing. “Enfant-terribilism” for American mass consumption. That continues to date, only the formula is now desperately shopworn, and it shows. For my taste, SCTV was 10 times more creative, in fact SNL raided SCTV. But even SCTV was nothing, big zero in the political department, just more original, funnier comedy. The critical flaw with SNL, and the source of its imposture, is that it attempted to appear radical and defiant when in fact was simply spphomoric and deeply liberal. Isn’t that (still today) what much of the political confusion in this country is all about? The fact that liberals actualy think themselves to be an opposition, an alternative to “the system”? In that sense SNL was and is a mirror to our culture of political “avoidism”, even cowardice.

    (2) I feel that humor links primarily to truth…it is the recognition of truth in something that allows for its exploitation in a comical twist, which sometimes may be cruel…but Steppling is right, cruelty is humor’s main wrapper.

    (3) The idiotic movement “to save Darfur” has reached a new low in its imbecility these days with a bunch of ads actually asking Bush to intervene…how dense can you be? Dont these people realize that by asking Bush to intervene they are actually sanitizing Bush, legitimating Bush, and interventionism by this bully of a nation, in a way that his operatives could never dream of?

    But then, of course, we’re talking about latte liberals, just about the creme de la creme of a very fastidious and repulsive breed, a class of people as ignorant as they are arrogant in their melifluous politics…with luminaries such as Mia Farrow (who I believe is or recently was in Chad recoinnoitering the place, and shopping I suppose for yet another orphan to add to her bulging stable–this woman is sick), Clooney, the inevitable Bono, and others who fancy themselves “international citizens” with access to power. A couple of months ago I saw Sean Penn on Larry King, King one of the most notorious loose cannons on TV (King doesn’t seem to have any political pereferences, only ratings inside that brain of his so he qualifies fully as a media prostitute of Olympian proportions…). Well, in any case, after Sean finished mouthing a few things you and I would agree with about Iraq and Bush, he then proceeded to say he had also visited Cuba, too, and met Fidel…But here’s the rub. While he praised some of Cuba’s undeniable accomplishments, he was quick to “balance” his testimony by describing Cuba as lacking in democracy, something along the lines of, well, “they still don’t have freedom and democracy the way we have it here,” etc. , etc. So here we had Penn, before the assenting Larry King,  just showing how profoundly ignorant and conventional he was about Cuba, and how abysmally out of his depth, which, by the way, seems to be the defining flaw of most of these celeb-activists. I suppose that hedonism and patient study are incompatible.

    Which is not very surprising. Liberals are idiots—well meaning idiots, perhaps, but idiots first and foremost. They create a lot of unnecessary trouble in this world, not only by giving the real left a bad name, but by covering the boil that desperately needs to be lanced…by confusing the crowd, and they are a problem because they’re so fucking rich, in a culture where money talks.
    You probably know that, contrary to perception, liberal foundations are about 10 times larger in assets than their conservative counterparts? Their ineffectiveness is commentary enough about their preferred political track.

    As for Mirren and Frears, well, I think they are both rich establishmentarians…houses and servants all ove rthe place…so both suffer from terminal bourgeoisdonism, a disease that affects anglo-americans with special ferocity. Anglo culture is conservative. Period. But in an underhanded, insidious, tenacious way. No explosions of brutal reactionism for them, as in Croatia, circa 1943, Poland, etc., although given the right circumstances, who knows?…But so far just quietly conservative, quietly reactionary, in that perennial, mulish search the middle classes usually have for “dignity”, “propriety” and social respect. Pathetic eh? No wonder they have been so often fascist fodder.

  2. Paul_Armand 03.02.07 / 3pm

    My, how true what Steppling says here about the unspoken realities underscoring “pacifism”—a philosophy so dear to liberals and other people who, in the midst of so many crises, specialize in sitting on the fence.

    In the controversial but indispensable little volume,”Pacifism as Pathology”, by Ward Churchill, Ed Mead, in the preface, states:

    “I served nearly two decades behind bars as a result of armed actions conducted by the George Jackson Brigade. During those years, I studied and restudied the mechanics and applicability of both violence and nonviolence to political struggle. I’ve had plenty of time to step back and take a look at the larger picture. And however badly I may represent that picture today, I still find one conclusion inescapable: Pacifism as a strategy of achieving social, poitical and economic change can only lead to the dead end of liberalism. Those who denounce the use of political violence as a matter of principle, who advocate nonviolence as a strategy for progress, are wrong. Nonviolence is atactical question, not a strategic one. The most vicious and violent ruling clss in teh history of humankind will not give up without a physical fight. Nonviolence as a strategy thus amounts to a form of liberal accommodation and is bound to fail. The question is not whether to use violence in the global class struggle to end the rule of international imperialism, but only when to use it.”

    As an ex priest who worked many years in Latin America, a supporter of Liberation Theology, I happen to think that Mead is right, regrettably but fundamentally right. Liberalism leads nowhere.

  3. Minerva_carril 03.05.07 / 2am

    What does Mr Stepelling think of those occasions when Hollywood “looks at itself”?

    I’m talking here about what on the surface would be “legit” progressive films, made by card-carrying liberal folks like Robert Redford. The movie Quiz Show comes to mind, is that a typical “Hollyvision” artifact? In other words, is Hollywood ever capable of actual honesty and insight in this kind of representation?

  4. johann 03.05.07 / 10am

    These tribunals are yet another exercise in globalized “manipulated consent”—pure propaganda to re-legitimate a badly tattered order. The corporate system just cannot do without such accoutrements; they are integral to its governing way of life, its DNA. But, none of this would ever fly if the media did not facilitate the imposture. I honestly believe that before we unmask the criminal fraud that capitalist “democracy” is we have to unmaske and disarm its chief and most effective bodyguard: the media.

Have your say

XHTML: You can use these tags: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong>




Safari hates me

About

140px-Joseferrer.jpgCyrano’s Journal and its blogs are about clear thinking, the liberating power of truth and the cultivation of the good arts—which requires good artists to begin with. If you’re wondering who the gentleman in the pix is, well, it’s none other than one of the finest cinema and stage actors of the 1940s and 50s, Puerto Rico-born Jose Ferrer, onetime husband of Rosemary Clooney (and therefore uncle to famous George C.). His mug decorates this space because he gave us the definitive Cyrano in his Oscar-winning masterwork, Cyrano de Bergerac (1950). No one has ever topped that performance. He also gave us a terrific Barney Greenwald, defense attorney in The Caine Mutiny, but that’s another story.